The Film
Film Details
| Film Details | |
|---|---|
| Year of Production | 1982 |
| Country of Origin | USA / UK |
| Running Time | 93 minutes |
| Format | Technicolor 35mm |
| Sound | Dolby |
Production Notes
| Credits Production | |
|---|---|
| Production Companies | Henson Associates / ITC / Jim Henson Productions / Universal Pictures |
| Producers | Jim Henson, Gary Kurtz |
| Executive Producer | David Lazer |
| Associate Producers | Duncan Kenworthy, Bruce Sharman |
| Production Manager | Philip Koehler |
| Production Supervisor | Bill Benson |
| Script | |
|---|---|
| Script | David Odell |
| Story | Jim Henson |
| Direction | |
|---|---|
| Directors | Jim Henson, Frank Oz, Gary Kurtz [uncredited] |
| Assistant Director | Dusty Simmonds |
| 2nd Assistant Director | Christopher Newman |
| Photography | |
|---|---|
| Director of Photography | Oswald Morris |
| Camera Operator | Derek Bowrie |
| Gaffer | John Leman |
| Lab | Technicolor |
| Editing and Post-Production | |
|---|---|
| Editor | Ralph Kemplen |
| Music | |
|---|---|
| Music | Trevor Jones |
| Song Performed By | Catherine Bott [The Felfling Song - uncredited] |
| Orchestrator | Peter Knight |
| Sound | |
|---|---|
| Sound Designers | Ben Burtt, Nicholas Stevenson |
| Make Up and Costumes | |
|---|---|
| Costume Designers | Val Johnston, Leisja Limmer |
| Creature Costumes Project Leader | Valerie Charlton |
| Special Effects | |
|---|---|
| Special Creature Effects Supervisor | Brian Smithies |
| Special Effects Supervisor | Roy Field |
| Fizzgig Effects Supervisor | Rollin Krewson |
| Garthim Effects Supervisor | Fred Nihda |
| Gelfling Effects Supervisor | Wendy Midener |
| Landstrider Effects Supervisor | Val Charlton |
| Mystic Effects Supervisor | Tim Clarke |
| Podling Effects Supervisor | Sherry Amott |
| Skeksis / Aughra Effects Supervisor | Lyle Conway |
| Creature Crew | Ian Wingrove, Paul Wilson, Richard Dimbleby |
| Latex Foam Lab Supervisor | Tom McLaughlin |
| Latex Foam Lab Assistants | Sue Higgins, Joan Garrick |
| Mystic Unit Creature Fabricators | Harry Franchetti, Jerry Andrews |
| Skeksis Unit Creature Fabricator | Michael McCormick |
| Visual Effects | |
|---|---|
| Visual Effects | Jon Sorensen; Industrial Light and Magic |
| 1st Assistant Camera | Jonathan Taylor |
| Matte Department Supervisor | Neil Krepela |
| Matte Camera Assistant | Craig Barron |
| Other Effects Supervisor | Jim Miller |
| Design and Set Construction | |
|---|---|
| Production Designer | Harry Lange |
| Art Directors | Brian Ackland-Snow, Terry Ackland-Snow, Charles Bishop, Malcolm Stone |
| Set Designer | Peter Young |
| Property Manager | George Ball |
| Assistant Property Master | Frank Billington-Marks |
| Construction Manager | Max Bowen |
| Constructor | Peter Mann |
| Conceptual Designer | Brian Froud |
| Miscellaneous | |
|---|---|
| Unit Accountant | Sidney Barnsley |
| Assistant To Jim Henson | Penny Campbell |
| Assistant To Gary Kurtz | Bunny Alsup |
| Assistant To David Lazer | Martin G. Baker |
| Assistant To Frank Oz | Jill Colley |
| Choreographer | Gates McFadden |
| Marketing Consultant | Craig Miller [uncredited] |
| Mime Coach | Jean-Pierre Amiel |
| Unit Publicist | Ann Tasker |
| Locations | |
|---|---|
| Locations | Twynecross, England, UK; Scotland, UK |
| Stunts | |
|---|---|
| Stunts | Kiran Shah |
